October 08, 2019 at 7:00pm 4 hrs 59 mins
Metro Music Hall 615 W 100 S, Salt Lake City, UT 84104, United States
Stereolab [email protected]
With: WAND Stereolab Masters of 'space-age bachelor pad music', Stereolab formed in London in 1990 by record collector Tim Gane and the French chanteuse Laetitia Sadier. The group produces electronica imbued by melody, vintage analogue sounds, political lyrics, and sixties wistfulness. Via their label, Duophonic, they ensure that everything the 'Groop' (as their fans know them) puts out receives a limited vinyl issue. Stereolab went on an indeterminate hiatus on 2nd April 2009: "We feel that our work is done for the moment and there won't be any new Stereolab product for a while." WAND Plum is Wand’s fourth LP since the band formed in late 2013 but their first new album in two years. After a whirlwind initial phase of writing, recording, and touring at a frenetic clip, their newest document marks a period of relative patience; a refocusing and a push toward a new democratization of both process and musical surface. In late winter of 2016, the band expanded their core membership of Evan Burrows, Cory Hanson, and Lee Landey to include two new members—Robbie Cody on guitar and Sofia Arreguin on keys and vocals. From the outset, the new ensemble moved naturally toward a changed working method, as they learned how to listen to each other and trust in this new format. The songwriting process was consciously relocated to the practice space, where for several months, the band spent hours a day freely improvising, while recording as much of the activity as they could manage. Previously, Wand songs had generally been brought to the group setting substantially formed by singer and guitarist Cory Hanson; now seedling songs were harvested from a growing cloudbank of archived material, then fleshed out and negotiated collectively as the band shifted rhythmically between the permissive space of jamming and the obsessive space of critique. This new process demanded more honest communication, more vulnerability, better boundaries, more mercy and persistence during a year that meanwhile delivered a heaping serving of romantic, familial and political heartbreak for everyone involved. They learned more about their instruments and their perceived limitations. Much else fell apart in their personal lives, in their bodies, and the bodies of those near to them. In this way, Plum lengthened like a shadow underneath a dusking Orange; or rather “Weird Orange,” an affectionate name given to the color of a roulette-chosen, tour-rushed batch of Golem vinyl…an idiom, an inside joke, a talisman, a bookmark, a mood ring. And meanwhile all the shifting weather, the wireless signals, the helicopters overhead. Weird orange softened, darkened delicately, and rouged itself to a Plum. The music of Plum focuses teeming, dense, at times wildly multichromatic sounds into Wand’s most deliberate statement to date, with a long evening’s shadow of loss and longing hovering above the proceedings. Plum delicately locates the band’s tangent of escape from the warm and comfortable shallows of genre anachronism, an eyes-closed, mouth-open leap toward a more free-associative and contemporary pastiche logic of that more honestly reflects the ravenous musical omnivorousness of the five people who wrote and played it. **If you have a large party and would like to reserve the upper balcony of Metro Music Hall, please contact [email protected]**
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