The thing is, Los Angeles-based Grateful Shred manage to channel that elusive Dead vibe: wide-open guitar tones, effortless three-part vocal harmonies, choogling beats, and yes, plenty of tripped out, Shredded solos. The look, the sound, the atmosphere. It’s uncanny. “It’s more of a ‘take’ on the Dead than a tribute band,” says bassist Dan Horne. “We end up sounding almost more like the Dead because we approach it in this free-spirited way.” Founded one night in 2016, the band came about almost by accident.  Singer/guitarist Austin McCutchen had a residency at The Griffin in Atwater Village; his band was out of town, so he drafted some friends to play a set of Dead covers, and the four founding members (Austin, Sam, Clay, and Dan) have been together ever since. Sam Blasucci and Clay Finch (of country-folk revivalists Mapache) handle vocal and guitar duties, rounded out by bassist Dan Horne (of Cass McCombs, Jonathan Wilson, and the estimable Circles Around The Sun, who provided the incidental music for 2015’s “Fare Thee Well” concerts, the last shows played by the living members of the Dead ). Add a rotating cast of drummers (like Richard Gowen of The Growlers) and keyboardists (like Lee Pardini of Dawes and Jerry Borgé of Ziggy Marley), and you’ve got the essential formula.

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