The exhibition prima facie explores the divisions and overlaps that occur between "what is" and "what could not be" – searching, not for the truth, but for moments of disruption to an expected order. 

What the eyes perceive often goes unquestioned. People accept the authenticity of objects, images, and spaces when presented in familiar forms and patterns. Vision is accepted as a source of truth, but what appears precise is not always accurate, and what appears impossible is not necessarily false. 

Arbitrary boundaries erected between humans and nature, or self and other, falsely suggest that each is autonomous and exist without influence or dependency upon the other. In reality, they are linked in a catalytic web, unknowingly responding to and impacting the other’s actions. These immediate and cumulative aggregates of change offer new outlines for what can, or will, come. The impossible is not fixed, but a fluid construct that can be redefined in the wake of a transformative event. 

The drawings, sculpture, and photography presented in prima facie borrow from the language of precision to provide artifacts of an evolving impossible. Materials, forms, and technology from schematic drawing, scientific illustration, taxidermy, and documentary photography are combined with more fantastical or obscure elements to offer and deny verity in the mapping of transformation.
Attached images:

• Matt Kruback, "Rhetoric"
• Naomi Marine, "Apparition"